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Showing posts with label Larry Fessenden. Show all posts
Showing posts with label Larry Fessenden. Show all posts

Saturday, March 3, 2018

Jeff Reviews Psychopaths (2017)


An executed serial killer, an escaped mental patient, a beautiful seductress, a crazed strangler and a masked murderer unleash blood-soaked mayhem over the course of one night.


Written and directed by Mickey Keating, Psychopaths stars an ensemble cast that includes Ashley Bell (The Last Exorcism, Carnage Park), James Landry Hébert (Carnage Park, Ghost House), Mark Kassen (Puncture), Angela Trimbur (XX), and Jeff Daniel Phillips (31, The Ice Cream Truck). Psychopaths was produced by Larry Fessenden (who also plays the executed serial killer) and his Glass Eye Pix moniker. It had its world premiere at the Tribeca Film Festival on April 20, 2017. It is currently available on VOD.


Mickey Keating is known for Carnage Park (2016), Darling (2015) and Pod (2015). All this and more has put him on the Creepercast radar as one of the most notable directors for helping rejuvenate what was becoming a pretty stagnate world of horror. With Psychopaths, he once again teams up with Ashley Bell, James Landry Hébert, and one of the greatest proponents of original horror the iconic Larry Fessenden. We at the Creepercast have been anxiously waiting for this collaboration of the minds we have learned to respect and Psychopaths doesn't fall far from what we hoped to experience.


The plot of Psychopaths is this: on the eve of the execution of a notorious serial killer (Larry Fessenden), four other murderers (Ashley Bell, James Landry Hébert, Angela Trimbur, and Mark Kassen) embark on their own night of blood-drenched self-discovery. I am going to make a stand and say that the other killers were not necessarily possessed by the executed convict as the description on Rotten Tomatoes states. At first, I wasn't sure, especially when it came to the tale of Alice and the constant cut-ins of Fessenden preaching doom for all. I also wasn't sure how I'd feel about it if the film was actually going that route. But, it is not like Keating to cling to stereotypical plot points in order to drive a story. It is more likely that the four killers we are following already had a penchant for murder and were simply inspired by an important member of the serial killing community. Thus, Alice is simply a victim of multiple personalities, brilliantly played by Bell and the cut-ins are pure inspiration to help drive the others. We will choose to give the benefit of the doubt until Keating himself tells us otherwise. We are doubting he will since it would lessen an already struggling concept that we're not hating.


Psychopaths, as a whole, is a brilliant piece of artwork. A collage of homage to Keating's own directorial influences that is cleverly disjointed with grindhouse style editing. Jeff Daniel Phillips narrates the night of blood, prophetically winding together the stories that seem to have no other connection other than featuring a killer and their madness. Each killers story is mostly focused on their need to torture, kill and repeat. They are more a night in the life than any actual characterization or build. All of them are also victims of cause and effect. With the exception of Blondie (Trimbur) and Alice, there is little motivation to our killings. But what we do get is four distinct styles of madness brilliantly portrayed by excellent actors, despite being poorly developed. In fact, the Creepercast Golden Globe Award for acting easily goes to Ashley Bell on this one. Finally, if it weren't for the narration, especially through the end of the film, we would have just had chaos and madness without much explanation. Thus, by the credits scene, we realize we have experienced a trip into madness that defies explanation and have witnessed an exercise in insanity that deserves our attention.



Psychopaths is currently available via VOD, check it out today!



Thursday, February 15, 2018

Glass Eye Pix and Forager team up for Larry Fessenden’s visceral Frankenstein film DEPRAVED


Larry Fessenden, NYC’s independent horror auteur (HABIT, WENDIGO, THE LAST WINTER), is set to direct DEPRAVED from his own script. The contemporary reimagining of Mary Shelley’s timeless classic Frankenstein centers on Henry, a field surgeon suffering from PTSD after combat in the Middle East, who creates a man out of body parts in a makeshift lab in Gowanus, Brooklyn. The creature he creates must navigate a strange new world and the rivalry between Henry and his conniving collaborator Polidori.

The film is set to star David Call, Joshua Leonard and Alex Breaux as the monster. Casting directors Sig de Miguel and Stephen Vincent have assembled a stellar lineup of supporting players.

The film marks a partnership between Fessenden’s long-running, award-winning company Glass Eye Pix (LIKE ME, MOST BEAUTIFUL ISLAND, THE HOUSE OF THE DEVIL, WENDY AND LUCY, STAKE LAND) and Forager Film Company (LITTLE SISTER, WIN IT ALL), a film collective run by Joe Swanberg (EASY, HAPPY CHRISTMAS) Peter Gilbert (HOOP DREAMS, VIETNAM LONG TIME COMING), and Edwin Linker (GOLDEN EXITS). The deal was brokered by Andrew Mer, who will serve as Executive Producer.

DEPRAVED will be produced by long-time Glass Eye Pix collaborator Jenn Wexler (producer of the SXSW Grand Jury prize winner and Spirit Award Nominee MOST BEAUTIFUL ISLAND, as well as DARLING, PSYCHOPATHS and LIKE ME; director of the forthcoming THE RANGER) and Chadd Harbold (producer of MOST BEAUTIFUL ISLAND and BODY; director of LONG NIGHTS SHORT MORNINGS). Fessenden also produces.



Says Fessenden: “I am very grateful to have Forager support this deeply personal and visceral take on the Frankenstein story. I’ve been moved by the iconic character since childhood and it is a great thrill to try to put my version on screen.”

Joe Swanberg of Forager adds: “Larry Fessenden has consistently made groundbreaking, intelligent, socially relevant films in addition to shepherding some of the most important young voices in genre filmmaking. We could not be more excited to collaborate with him on this project. ”

DEPRAVED will lens in February with cinematographers James Siewert (LIKE ME, THE RANGER, THE PAST INSIDE THE PRESENT) and Chris Scotchdopole (THE EGG AND THE HATCHET).